Fabritius had begun his career as a history painter working in Rembrandt's style, but once in Delft he began to explore new artistic problems. What links these two paintings is their simplicity, along with their real subject: silence. Dezember 1675 in Delft; zeitgenössisch Joannis ver Meer, Joannis van der Meer) ist einer der bekanntesten holländischen Maler des Barock.Er wirkte in der Epoche des Goldenen Zeitalters der Niederlande, in der das Land eine politische, wirtschaftliche und kulturelle Blütezeit erlebte. 14 February – 24 May 2009 Beit Wing, Room 31 | Admission free. The goldfinch may have just chirped a lovely tune; the girl may have just spoken.

Vermeer has gone both Rembrandt, and Fabritius one step further by having a black background.

In each the limited backgrounds serve to focus the viewer on the subject of the piece. He moved to Delft around 1650. Oktober 1632 in Delft; begraben 15. The museum, situated in the heart of The Hague, is home to the best Dutch paintings from the time of Rembrandt and Vermeer.

Welcome to the Mauritshuis!

Fabritius und Vermeer. Fabritius moved to Delft – the hometown of Vermeer – where he died, tragically young, after an explosion at a gunpowder warehouse close to his house (Credit: Getty Images) The most prominent artist to active in Delft during this period, and the one whose work was to have the greatest consequences for Vermeer, was Carel Fabritius, Rembrandt's most gifted pupil. Vermeer, Fabritius and De Hooch: Three Masterpieces from Delft. In dem Gedicht, das anlässlich seines Todes verfasst wurde, wurde Carel Fabritius als berühmter Maler gerühmt – und der zehn Jahre jüngere Jan Vermeer (1632–1675) als sein Nachfolger in Delft genannt. Discover masterpieces such as Vermeer's Girl with a Pearl Earring, The Anatomy Lesson of Dr. Nicolaes Tulp by Rembrandt, The Goldfinch by Fabritius, The Bull by Potter and many more.

Fabritius's more animated approach would influence his Delft School colleagues Pieter de Hooch and Johannes Vermeer (the latter believed by some to have been a pupil of Fabritius's although this cannot be corroborated) both of whom employed blank backgrounds to the same effect. Jan Vermeer van Delft, auch genannt Johannes Vermeer, (getauft 31.